AI Image Editor
Repair wardrobe, setting and light on frames that nearly arrived. One change per job, 21 credits, originals preserved in the manual.
Chapter four: the workshop leaves
Every volume has frames that nearly arrived. The pose holds, the light is true, but the outfit belongs to another chapter of the project, or the room belongs to another setting entirely. The editor exists for those frames. State the change in plain words — wardrobe, setting, light, a single detail — and the frame is re-rendered with that change made and everything else left standing on the page. Editing costs 21 credits a job, shown before you confirm, and the original is never overwritten: it stays in your manual beside its corrected version, like a draft leaf and its revision.
The working method
Choose frames worth the correction
Strong bones, wrong details. A frame whose composition itself has failed costs more to repair than to remake, and the workshop leaves are not where pride should be spent.
One change per job
A single instruction keeps the rest of the frame still and the price predictable. Three changes at once is not an edit; it is a regeneration wearing an edit’s price.
Compare, and keep the better leaf
Original and correction rest side by side in the manual. Ship the winner. The other costs nothing further and asks nothing of you.
Corrections most often noted
One frame, three outfits
The same pose dressed for three different packs — the quickest multiplication a catalogue knows.
The setting moved, the muse not
Sleeper carriage to hotel boudoir to bare studio wall, without moving the woman or the light that holds her.
The hour changed
Night to lamplight, flat to dramatic — a frame re-graded so it sits quietly among the set it is joining.
Instructions that hold
“Change the teal velvet bodysuit to burgundy satin and lace. Keep the pose, the hair and the carriage light exactly as they are.”
The change is named and everything else is explicitly protected. The words “keep exactly” are cheap insurance, and they work in every chapter.
“Move the scene to a boutique hotel boudoir with a rattan screen and warm lamplight. The subject and her pose do not change.”
One environment, moved once. A new room, a new outfit and a new pose in a single job is a new photograph, and should be briefed as one.
Edit, or generate again?
| Situation | The better move |
|---|---|
| Pose and light are right; details are wrong | Edit — it keeps the bones of the frame and costs less |
| The composition itself has missed | Remake the frame at the generator with a corrected brief |
| One keeper, three packs | Edit three times from the one keeper |
How much does an edit cost?
21 credits per job, shown before you confirm. Repairing a keeper is normally cheaper than remaking and re-judging a whole set in the opening chapter.
Does an edit replace my original?
No. The correction is a new leaf in the manual. The original rests untouched, and both remain yours.
How many changes may one job carry?
One. Stacked changes unsettle exactly the parts you asked to keep, and the frame drifts off the page.
May I edit uploaded photographs?
Yes — your own photographs, under the same consent rules as every upload in this manual.
The edit missed. What now?
Narrow the instruction and name what must stay identical. Vagueness is the usual cause of a drifting correction.
One account, every tool in the chain
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator